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In this way, the woman is reduced to a puppet. “Eyes without a face, got no human grace your eyes without a face” The soundtrack reminds of a circus interlude, to highlight the absurdity of what is happening and to point out how the man figure perceives this horrendous acts he is perpetrating as banal and innocent, almost mundane. Since the beginning of the movie, the suspense is sky-high. His dignified psychological and physical violence towards both the women he abducts with the help of his female assistant and his daughter who has no say or choice but to accept his father’s foolish decisions. In a world that only cares about appearance and the superficial nature of beauty, the woman is represented as a powerless victim while the man takes over and exercises all of his composite sociopathies through the controlling of the female body.
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He literally draws on their faces with a marker without any precision or sense of geometry, then cuts their skin off with a scalp while they are barely sedated. I say glue because the process seems pretty amatorial and approximative throughout the whole movie. Being a plastic surgeon, he started abducting young women aesthetically similar to her daughter to sever their face’s skin and practically glue them to his daughter’s face. The film is about the life of a young woman whose father lost his mind after a severe accident where her daughter had her face disfigured, leaving just her eyes intact.
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Similar themes can be found in the homonym film “Eyes without a face”, a 1960 horror movie directed by Georges Franju which has directly inspired Idol both for the symbolic value of the title and the way some topics are approached throughout the movie. Lost but not forgotten, to the point that obsession takes over mental stability and pervades all emotions. The lyrics appear to be a nostalgic ode to the love that has been and is now extinct. After Blade Runner 2049's neon-drenched cyberpunk aesthetic (not to mention its brilliant continuation of the original story) had us hypnotized, we're eager to revisit that world and hopefully some of its iconic characters, too.This is how Billy Idol’s song “Eyes without a face”, first published in 1984, debuts.
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More positively, our mind spins at the possibilities of what a big-budget Blade Runner TV show can offer.
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There's no reason an Alien series couldn't achieve the same, especially if it features a mixture of Alien's classic aesthetic and modern horror sensibilities. In recent years, we've seen horror series like Netflix's Sweet Home and The Haunting of Hill House captivate audiences. The episodic format could greatly benefit both Blade Runner and Alien, especially in the case of the latter. That's not to say either project is doomed to fail. Both Prometheus (which he called " easy to make in 3D") and Alien Covenant failed to replicate the success of those first two epics.
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Their impact on popular culture permeates to this day, and much of that credit has to go to their director, Ridley Scott.īut Scott's recent efforts in the Alien franchise haven't been able to meet the earlier highs of the franchise. The original Blade Runner and Alien movies are two of the most influential sci-fi movies of all time. Scott made no mention about what kind of story the Alien TV show will tell, so it remains to be seen if it will provide a fresh shot in the arm many feel the franchise needs.Īnalysis: Is Scott the right man for the job? The Alien franchise has been a little more dormant, at least in the entertainment space, since 2017's Alien: Covenant, which received a lukewarm reception at the time of release.